KATERINA GIMON
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CHORAL

Mixed choir

  • beneath/sound (2018), SATB w/ violin, cello, harp & percussion
  • To The Peak of the Mountain (2018), SATB
  • My Light (2017), SATB
  • The Mountain to the Moon (2016), SATB
  • Elements (2013), SATB
       Earth (i)  Air (ii)  Fire (iii)  Water (iv)

Treble choir

  • Siren Song (2018), SSA
  • All Together We Are Love (2017), SSA
  • The Birds' Lullaby (2016), SSAA
  • A Painting (2015), SSSAA
  • Boundless (2012), SSAA
VOCAL

Voice and Electronics

  • Am I (2018), For voice and electronics.

Art Song

  • This Is That (2018), For tenor and piano.
  • Songs of Trees (2016/17), Three songs for baritone and piano.
         i) Fire-Flowers     ii) Moonset     iii) Still Stands The Oak
  • Dream Land (2015), For soprano and piano.
  • The Tracks are Lonely (2014), For soprano and piano.
OPERA/THEATRE
  • Mr. Burns, a Post-Electric Play [60'] (2017/18) Musical theatre. Music for LML Production's mounting of Anne Washburn's Mr. Burns, a Post-Electric Play.
  • Becoming A Carnivore [7'] (2017) Libretto: Heather Ramsay. Opera scene for baritone, soprano, and piano.
  • The Girl Who Fell In Love With Thunder [12'] (2017) Libretto: Zoe S. Mix. Opera scene for baritone, soprano, and piano.
  • Parliament! [3'] (2016) Libretto: Valerie Sing Turner. Opera scene for baritone, soprano, tenor, and chorus.
  • Mother It Does Have To Be So High [3'] (2016) Libretto: Benton Roark. Opera scene for baritone, soprano, and chorus.
  • Eirik's Daughter [3'] (2016) Libretto: Matt Clarke. Opera scene for tenor and 2 sopranos.
  • Loud [11'] (2015) For 9 female performers. Premiered by Audax at Bold: my undergraduate graduation recital.
Orchestra/Large Ensemble (5 or more players)
  • Ice Forms  [5'30"] (2019) For spatialized orchestra. 22[1.Eh]11—2221— 2-perc—hp —11111
  • This Is That [4’] (2019) For tenor, flute, clarinet, viola, cello, and piano.
  • On the Edge of the Crossing [45’] (2018) Site-specific, open score for vocalists and instrumentalists.
  • Rain on a Tin Roof [8'] (2017) Open score for spatialized chamber ensemble.
  • Swiftly Moving [5'] (2017) For flute (piccolo), Bb clarinet (bass clarinet), violin, viola, and piano. For Orford Music Festival 2017.
  • Crossings [6'45''] (2016) For Bb clarinet, soprano, alto, tenor, bass, and cello.
  • Embers [3'30"] (2014) Flute, oboe, Bb clarinet, bassoon, F horn, Bb trumpet, trombone, tuba, 2 violins, 2 viola, 2 cellos, and 2 double-bass.
Chamber/Small Ensemble (1 - 4 players)
  • What's The Game? [8'] (2017) For speaking percussionist.
  • Dancing Flames [2'15"] (2017) Miniature for saxophone quartet.
  • Union Station [7'5"] (2015) For French Horn Duo and Tape.
OTHER

Video Game

  • Wisdom for Wanderers [13'] (2015). Composed for Thrive Game's Dragon of Legends.

 Electroacoustic

  • Room [4'] (2015). An electronic piece combining NASA recordings and samples from a vocal improvisation.
  • Quo [5'] (2013). Created using material entirely from a short vocal improvisation.
© Katerina Gimon, 2019
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