KATERINA GIMON
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CHORAL

Mixed Choir

  • The Frost Myth (2022) [4'20"], SATB with opt. percussion
  • she was wilderness (2021) [6'45"], SSAATTBB
  • Come Back like the Sea (2021) [4'], SATB + piano
  • Spring Rain (2021) [4'45"], SSATB *Premiering winter 2022 - see events page
  • Can You Hear It? / The Sound of Hope (2021) [4'15"], SSAATB with opt. percussion *Premiering rescheduled, date TBD
  • Take This Thread / Le fil que je suis (2021) [6'], SATB with piano and violin
  • All Together We Are Love (2020) [3'45"], SATB
  • A Path to Hope (2020) [4'], SATB
       Without Voice (i)  The Fear (ii)  Believe (iii)
  • Song for the Searching (2020) [4'15], SSAB + piano
  • Through the Storm (2020) [5'15"] SATB
  • The Language of the Stars (2019) [4'30"], SATB choir, opt. youth chorus, and piano. Also available for string quartet & piano or orchestra accompaniment.
  • beneath/sound (2019) [7'30"], SATB with 3 accompaniment options: 1) piano, 2) piano & percussion,  3) chamber: violin, cello, harp, & percussion.
  • O Virtus Sapientiae (2019) [3'45"], SATB + soloists
  • To The Peak of the Mountain (2018) [3'30"], SATB with opt. percussion
  • My Light (2017) [3'35"], SATB
  • The Mountain to the Moon (2016) [4'45"], SATB
  • Elements (2013) [12'30], SATB *with opt. percussion for Fire
       Earth (i)  Air (ii)  Fire (iii)  Water (iv)

Upper Voices

  • Take This Thread / Le fil que je suis (2022) [6'], SSA with piano and violin
  • The Frost Myth (2022) [4'20"], SSAA with cello, and opt. percussion
  • Our Song (2021) [4'15"], SSA + piano, upright bass, & percussion *Premiere June 2022
  • A Path to Hope (2020) [4'], SSA
       Without Voice (i)  The Fear (ii)  Believe (iii)
  • Song for the Searching (2020) [4'15], SSA + piano
  • The Improper Princess (2020) [4'30"], SSA + piano *Premiering fall 2022 - see events page
  • Joy of Lilac-Time (2020) [6'], SSA + piano/ensemble
  • Heron [3'] and Ivy [1'] from The Lost Words (2019), SSAA and ensemble *Premiering fall 2022 - see events page
  • In Her Image (2019) [5'15"], SSAA
  • Welcome Song (2019) [3'], SSAA *Premiere delayed, new date TBD
  • O Virtus Sapientiae (2019) [3'45"], SSAA + soloists
  • Spellbound (2019) [5'], SSAA
  • Siren Song (2018) [3'30"], SSA
  • All Together We Are Love (2017) [3'45"], SSA
  • The Birds' Lullaby (2016) [5'], SSAA
  • Elements (2019) [12'30"], SSAA SATB *with opt. percussion for Fire
       Earth (i)  Air (ii)  Fire (iii)  Water (iv)
  • Boundless (2012) [4'15], SSAA

Lower Voices

  • A Path to Hope (2020) [4'], TTB
       Without Voice (i)  The Fear (ii)  Believe (iii)
  • Bell Tower (2020) [5'30"], TTBB choir with divisi and piano
  • Voix dans le vent (2020) [4'30"), TTBB choir and piano
  • The Frost Myth (2019) [4'20"], TTBB with opt. percussion

Double Choir

  • Gravity (2021) [5'], SSA + SATB choir with piano
VOCAL

Art Song

  • That Word [2'] (2021), For voice and piano (high, medium, and low voicings available)
  • This Is That (2018), For voice and piano (available in high and medium voicings)
  • Songs of Trees (2016/17) [12'10"], Three songs for voice and piano (available for high, medium, and low voicings).
         i) Fire-Flowers    ii) Moonset    iii) Still Stands The Oak
  • Dream Land (2015) [4'], For soprano and piano.
  • The Tracks are Lonely [4'] (2014), For soprano and piano.

Voice and Electronics

  • Shadow/Light (2021) [12'35"], For soprano (live performer + two prerecorded tracks) & electronics
  • Am I (2018) [5'40"], For voice and electronics.
OPERA/THEATRE
  • Did I Just Say That [20'] (2021) Chamber opera for soprano, mezzo, & piano. Libretto: Valerie Sing Turner.
  • Mr. Burns, a Post-Electric Play [60'] (2017/18) Musical theatre. Music for LML Production's mounting of Anne Washburn's Mr. Burns, a Post-Electric Play.
  • Becoming A Carnivore [7'] (2017) Libretto: Heather Ramsay. Opera scene for baritone, soprano, and piano.
  • The Girl Who Fell In Love With Thunder [12'] (2017) Libretto: Zoe S. Mix. Opera scene for baritone, soprano, and piano.
  • Parliament! [3'] (2016) Libretto: Valerie Sing Turner. Opera scene for baritone, soprano, tenor, and chorus.
  • Mother It Does Have To Be So High [3'] (2016) Libretto: Benton Roark. Opera scene for baritone, soprano, and chorus.
  • Eirik's Daughter [3'] (2016) Libretto: Matt Clarke. Opera scene for tenor and 2 sopranos.
  • Loud [11'] (2015) For 9 female performers. Premiered by Audax at Bold: my undergraduate graduation recital.
Orchestra/Large Ensemble (5 or more players)
  • Roots Beneath [5'20"] 3(1.picc)3321—43211—timp+3—hp—strings
  • Carol of Joy [3'] (2020) For soprano, alto, and baritone soloists + string quintet (2 violins, viola, cello, double bass)
  • Playing into Silence [10'] (2020), Three songs for soprano and string orchestra, texts by Tina Biello.
         i) After Dinner Dance     ii) Look     iii) Better Days

  • The Language of the Stars [4'30"] (2019), SATB choir, opt. youth chorus, and orchestra. Also available for piano or string quartet & piano accompaniment.
  • Ice Forms [5'30"] (2019) For spatialized orchestra. 22[1.Eh]11—2221— 2-perc—hp —11111
  • This Is That [4’] (2019) For tenor, flute, clarinet, viola, cello, and piano.
  • On the Edge of the Crossing [45’] (2018) Site-specific, open score for vocalists and instrumentalists.
  • Rain on a Tin Roof [8'] (2017) Open score for spatialized chamber ensemble.
Chamber/Small Ensemble (1 - 4 players)
  • What's The Game? [8'] (2017) For speaking percussionist.
  • Dancing Flames [2'15"] (2017) Miniature for saxophone quartet.
  • Union Station [7'5"] (2015) For French Horn Duo and Tape.

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© Katerina Gimon, 2022
  • Home
  • Bio
  • Works
  • Media
  • Events
  • Collaborate
    • Commission
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  • Contact
    • Get in touch
    • FAQ
    • Performance Notification